Where the Crawdads Sing

Where the Crawdads Sing

by Delia Owens

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Overview

#1 New York Times Bestseller
A Reese Witherspoon x Hello Sunshine Book Club Pick

"I can't even express how much I love this book! I didn't want this story to end!"—Reese Witherspoon

"Painfully beautiful."—The New York Times Book Review

"Perfect for fans of Barbara Kingsolver."—Bustle


For years, rumors of the "Marsh Girl" have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be touched and loved. When two young men from town become intrigued by her wild beauty, Kya opens herself to a new life—until the unthinkable happens.

Perfect for fans of Barbara Kingsolver and Karen Russell, Where the Crawdads Sing is at once an exquisite ode to the natural world, a heartbreaking coming-of-age story, and a surprising tale of possible murder. Owens reminds us that we are forever shaped by the children we once were, and that we are all subject to the beautiful and violent secrets that nature keeps.

Product Details

ISBN-13: 9780735219090
Publisher: Penguin Publishing Group
Publication date: 08/14/2018
Pages: 384
Sales rank: 1
Product dimensions: 6.10(w) x 9.10(h) x 1.30(d)
Lexile: 880L (what's this?)

About the Author

Delia Owens is the coauthor of three internationally bestselling nonfiction books about her life as a wildlife scientist in Africa. She holds a BS in Zoology from the University of Georgia and a PhD in Animal Behavior from the University of California at Davis. She has won the John Burroughs Award for Nature Writing and has been published in Nature, The African Journal of Ecology, and International Wildlife, among many others. She lives in the mountains of North Carolina. Where the Crawdads Sing is her first novel.

Read an Excerpt

1.

Ma

1952

The morning burned so August-hot, the marsh's moist breath hung the oaks and pines with fog. The palmetto patches stood unusually quiet except for the low, slow flap of the heron's wings lifting from the lagoon. And then, Kya, only six at the time, heard the screen door slap. Standing on the stool, she stopped scrubbing grits from the pot and lowered it into the basin of worn-out suds. No sounds now but her own breathing. Who had left the shack? Not Ma. She never let the door slam.

But when Kya ran to the porch, she saw her mother in a long brown skirt, kick pleats nipping at her ankles, as she walked down the sandy lane in high heels. The stubby-nosed shoes were fake alligator skin. Her only going-out pair. Kya wanted to holler out but knew not to rouse Pa, so opened the door and stood on the brick-'n'-board steps. From there she saw the blue train case Ma carried. Usually, with the confidence of a pup, Kya knew her mother would return with meat wrapped in greasy brown paper or with a chicken, head dangling down. But she never wore the gator heels, never took a case.

Ma always looked back where the foot lane met the road, one arm held high, white palm waving, as she turned onto the track, which wove through bog forests, cattail lagoons, and maybe-if the tide obliged-eventually into town. But today she walked on, unsteady in the ruts. Her tall figure emerged now and then through the holes of the forest until only swatches of white scarf flashed between the leaves. Kya sprinted to the spot she knew would bare the road; surely Ma would wave from there, but she arrived only in time to glimpse the blue case-the color so wrong for the woods-as it disappeared. A heaviness, thick as black-cotton mud, pushed her chest as she returned to the steps to wait.

Kya was the youngest of five, the others much older, though later she couldn't recall their ages. They lived with Ma and Pa, squeezed together like penned rabbits, in the rough-cut shack, its screened porch staring big-eyed from under the oaks.

Jodie, the brother closest to Kya, but still seven years older, stepped from the house and stood behind her. He had her same dark eyes and black hair; had taught her birdsongs, star names, how to steer the boat through saw grass.

"Ma'll be back," he said.

"I dunno. She's wearin' her gator shoes."

"A ma don't leave her kids. It ain't in 'em."

"You told me that fox left her babies."

"Yeah, but that vixen got 'er leg all tore up. She'd've starved to death if she'd tried to feed herself 'n' her kits. She was better off to leave 'em, heal herself up, then whelp more when she could raise 'em good. Ma ain't starvin', she'll be back." Jodie wasn't nearly as sure as he sounded, but said it for Kya.

Her throat tight, she whispered, "But Ma's carryin' that blue case like she's goin' somewheres big."

The shack sat back from the palmettos, which sprawled across sand flats to a necklace of green lagoons and, in the distance, all the marsh beyond. Miles of blade-grass so tough it grew in salt water, interrupted only by trees so bent they wore the shape of the wind. Oak forests bunched around the other sides of the shack and sheltered the closest lagoon, its surface so rich in life it churned. Salt air and gull-song drifted through the trees from the sea.

Claiming territory hadn't changed much since the 1500s. The scattered marsh holdings weren't legally described, just staked out natural-a creek boundary here, a dead oak there-by renegades. A man doesn't set up a palmetto lean-to in a bog unless he's on the run from somebody or at the end of his own road.

The marsh was guarded by a torn shoreline, labeled by early explorers as the "Graveyard of the Atlantic" because riptides, furious winds, and shallow shoals wrecked ships like paper hats along what would become the North Carolina coast. One seaman's journal read, "rang'd along the Shoar . . . but could discern no Entrance . . . A violent Storm overtook us . . . we were forced to get off to Sea, to secure Ourselves and Ship, and were driven by the Rapidity of a strong Current . . .

"The Land . . . being marshy and Swamps, we return'd towards our Ship . . . Discouragement of all such as should hereafter come into those Parts to settle."

Those looking for serious land moved on, and this infamous marsh became a net, scooping up a mishmash of mutinous sailors, castaways, debtors, and fugitives dodging wars, taxes, or laws that they didn't take to. The ones malaria didn't kill or the swamp didn't swallow bred into a woodsmen tribe of several races and multiple cultures, each of whom could fell a small forest with a hatchet and pack a buck for miles. Like river rats, each had his own territory, yet had to fit into the fringe or simply disappear some day in the swamp. Two hundred years later, they were joined by runaway slaves, who escaped into the marsh and were called maroons, and freed slaves, penniless and beleaguered, who dispersed into the water-land because of scant options.

Maybe it was mean country, but not an inch was lean. Layers of life-squiggly sand crabs, mud-waddling crayfish, waterfowl, fish, shrimp, oysters, fatted deer, and plump geese-were piled on the land or in the water. A man who didn't mind scrabbling for supper would never starve.

It was now 1952, so some of the claims had been held by a string of disconnected, unrecorded persons for four centuries. Most before the Civil War. Others squatted on the land more recently, especially after the World Wars, when men came back broke and broke-up. The marsh did not confine them but defined them and, like any sacred ground, kept their secrets deep. No one cared that they held the land because nobody else wanted it. After all, it was wasteland bog.

Just like their whiskey, the marsh dwellers bootlegged their own laws-not like those burned onto stone tablets or inscribed on documents, but deeper ones, stamped in their genes. Ancient and natural, like those hatched from hawks and doves. When cornered, desperate, or isolated, man reverts to those instincts that aim straight at survival. Quick and just. They will always be the trump cards because they are passed on more frequently from one generation to the next than the gentler genes. It is not a morality, but simple math. Among themselves, doves fight as often as hawks.

Ma didnÕt come back that day. No one spoke of it. Least of all Pa. Stinking of fish and drum likker, he clanked pot lids. ÒWharÕs supper?Ó

Eyes downcast, the brothers and sisters shrugged. Pa dog-cussed, then limp-stepped out, back into the woods. There had been fights before; Ma had even left a time or two, but she always came back, scooping up whoever would be cuddled.

The two older sisters cooked a supper of red beans and cornbread, but no one sat to eat at the table, as they would have with Ma. Each dipped beans from the pot, flopped cornbread on top, and wandered off to eat on their floor mattresses or the faded sofa.

Kya couldn't eat. She sat on the porch steps, looking down the lane. Tall for her age, bone skinny, she had deep-tanned skin and straight hair, black and thick as crow wings.

Darkness put a stop to her lookout. Croaking frogs would drown the sounds of footsteps; even so, she lay on her porch bed, listening. Just that morning she'd awakened to fatback crackling in the iron skillet and whiffs of biscuits browning in the wood oven. Pulling up her bib overalls, she'd rushed into the kitchen to put the plates and forks out. Pick the weevils from the grits. Most dawns, smiling wide, Ma hugged her-"Good morning, my special girl"-and the two of them moved about the chores, dancelike. Sometimes Ma sang folk songs or quoted nursery rhymes: "This little piggy went to market." Or she'd swing Kya into a jitterbug, their feet banging the plywood floor until the music of the battery-operated radio died, sounding as if it were singing to itself at the bottom of a barrel. Other mornings Ma spoke about adult things Kya didn't understand, but she figured Ma's words needed somewhere to go, so she absorbed them through her skin, as she poked more wood in the cookstove. Nodding like she knew.

Then, the hustle of getting everybody up and fed. Pa not there. He had two settings: silence and shouting. So it was just fine when he slept through, or didn't come home at all.

But this morning, Ma had been quiet; her smile lost, her eyes red. She'd tied a white scarf pirate style, low across her forehead, but the purple and yellow edges of a bruise spilled out. Right after breakfast, even before the dishes were washed, Ma had put a few personals in the train case and walked down the road.

The next morning,Kya took up her post again on the steps, her dark eyes boring down the lane like a tunnel waiting for a train. The marsh beyond was veiled in fog so low its cushy bottom sat right on the mud. Barefoot, Kya drummed her toes, twirled grass stems at doodlebugs, but a six-year-old canÕt sit long and soon she moseyed onto the tidal flats, sucking sounds pulling at her toes. Squatting at the edge of the clear water, she watched minnows dart between sunspots and shadows.

Jodie hollered to her from the palmettos. She stared; maybe he was coming with news. But as he wove through the spiky fronds, she knew by the way he moved, casual, that Ma wasn't home.

"Ya wanta play explorers?" he asked.

"Ya said ya're too old to play 'splorers."

"Nah, I just said that. Never too old. Race ya!"

They tore across the flats, then through the woods toward the beach. She squealed as he overtook her and laughed until they reached the large oak that jutted enormous arms over the sand. Jodie and their older brother, Murph, had hammered a few boards across the branches as a lookout tower and tree fort. Now, much of it was falling in, dangling from rusty nails.

Usually if she was allowed to crew at all it was as slave girl, bringing her brothers warm biscuits swiped from Ma's pan.

But today Jodie said, "You can be captain."

Kya raised her right arm in a charge. "Run off the Spaniards!" They broke off stick-swords and crashed through brambles, shouting and stabbing at the enemy.

Then-make-believe coming and going easily-she walked to a mossy log and sat. Silently, he joined her. He wanted to say something to get her mind off Ma, but no words came, so they watched the swimming shadows of water striders.

Kya returned to the porch steps later and waited for a long time, but, as she looked to the end of the lane, she never cried. Her face was still, her lips a simple thin line under searching eyes. But Ma didn't come back that day either.

2.

Jodie

1952

After Ma left, over the next few weeks, Kya's oldest brother and two sisters drifted away too, as if by example. They had endured Pa's red-faced rages, which started as shouts, then escalated into fist-slugs, or backhanded punches, until one by one, they disappeared. They were nearly grown anyway. And later, just as she forgot their ages, she couldn't remember their real names, only that they were called Missy, Murph, and Mandy. On her porch mattress, Kya found a small pile of socks left by her sisters.

On the morning when Jodie was the only sibling left, Kya awakened to the clatter-clank and hot grease of breakfast. She dashed into the kitchen, thinking Ma was home frying corn fritters or hoecakes. But it was Jodie, standing at the woodstove, stirring grits. She smiled to hide the letdown, and he patted the top of her head, gently shushing her to be quiet: if they didn't wake Pa, they could eat alone. Jodie didn't know how to make biscuits, and there wasn't any bacon, so he cooked grits and scrambled eggs in lard, and they sat down together, silently exchanging glances and smiles.

They washed their dishes fast, then ran out the door toward the marsh, he in the lead. But just then Pa shouted and hobbled toward them. Impossibly lean, his frame seemed to flop about from poor gravity. His molars yellow as an old dog's teeth.

Kya looked up at Jodie. "We can run. Hide in the mossy place."

"It's okay. It'll be okay," he said.

Later, near sunset, Jodie found Kya on the beach staring at the sea. As he stepped up beside her, she didnÕt look at him but kept her eyes on the roiling waves. Still, she knew by the way he spoke that Pa had slugged his face.

"I hafta go, Kya. Can't live here no longer."

She almost turned to him, but didn't. Wanted to beg him not to leave her alone with Pa, but the words jammed up.

"When you're old enough you'll understand," he said. Kya wanted to holler out that she may be young, but she wasn't stupid. She knew Pa was the reason they all left; what she wondered was why no one took her with them. She'd thought of leaving too, but had nowhere to go and no bus money.

"Kya, ya be careful, hear. If anybody comes, don't go in the house. They can get ya there. Run deep in the marsh, hide in the bushes. Always cover yo' tracks; I learned ya how. And ya can hide from Pa, too." When she still didn't speak, he said good-bye and strode across the beach to the woods. Just before he stepped into the trees, she finally turned and watched him walk away.

"This little piggy stayed home," she said to the waves.

Breaking her freeze, she ran to the shack. Shouted his name down the hall, but Jodie's things were already gone, his floor bed stripped bare.

She sank onto his mattress, watching the last of that day slide down the wall. Light lingered after the sun, as it does, some of it pooling in the room, so that for a brief moment the lumpy beds and piles of old clothes took on more shape and color than the trees outside.

A gnawing hunger-such a mundane thing-surprised her. She walked to the kitchen and stood at the door. All her life the room had been warmed from baking bread, boiling butter beans, or bubbling fish stew. Now, it was stale, quiet, and dark. "Who's gonna cook?" she asked out loud. Could have asked, Who's gonna dance?

(Continues…)



Excerpted from "Where the Crawdads Sing"
by .
Copyright © 2018 Delia Owens.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publishr.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Where the Crawdads Sing 4.8 out of 5 based on 0 ratings. 766 reviews.
Anonymous More than 1 year ago
From beginning to end it felt like seeing the world through Kya's eyes. Impossible not to fall in love with her and a few other characters as well. Highly recommended this book.
Anonymous More than 1 year ago
Hauntingly beautiful and poetic prose used to tell a harsh and sometimes shockingly brutal story. Kya Clark is more than just a survivor. She is an unworldly, innocent sprite who nevertheless has a thirst for knowledge of the land that hides and protects her from those that would do her harm. Seemingly alone in the world, she comes to learn that she is actually truly and deeply loved by many. The twist at the end while shocking, is strangely satisfying in it’s relation to how her beautiful mind thinks. A truly magical book.
Anonymous More than 1 year ago
I read a lot and frankly there are books that fade from my memory within a week or two. This isn't one of those. Beautifully written, I love the way the author slowly merges the timelines as the story unfolds. Kya is unique in her background but I think many of us women who have a strong love of nature wish our lives would slow down enough at times to enable us to immerse ourselves in the kind of discovery she did. I loved this book and look forward to more.
Anonymous More than 1 year ago
I thoroughly enjoyed every word of this beautifully crafted novel about survival and love set off the North Carolina coast. It had everything I enjoy in a novel: beautiful descriptions of the carolina coast, a sweet love story and a murder mystery. You'll laugh, cry (only a little) and never guess the outcome of the mystery. An amazing first novel by thus author.
Anonymous More than 1 year ago
Fell in love with the characters and the beautiful story
Anonymous More than 1 year ago
Beautiful book, it has it all; Love, hate, violence, murder, nature, loneliness, family, etc. One of the best books I have read in a long time.
Anonymous More than 1 year ago
This is an unusal story different with a twist in the ending
Anonymous More than 1 year ago
Loved reading about the marsh. Story well written with a surprise ending.
Anonymous More than 1 year ago
The author breathes life into her main character Kya, the Marsh Girl, through her love of the wild natural world that nurtures and sustains her. The imagery is vivid and the words poetic. Two plotlines woven woven together well. Interesting characters. Themes of love, loneliness, resilience, kindness, cruelty and prejudice. A special book.
Anonymous More than 1 year ago
One of the best books I have ever read!
Anonymous More than 1 year ago
An easy read that is hard to put down.
Anonymous More than 1 year ago
This is a great book for nature, bird and sea lovers.
Anonymous More than 1 year ago
I can’t do justice in a review of this book. I have read my whole life as a means of escape and after the last page I found myself in unfamiliar territory. A beautiful, wonderful, simple yet compelling read.
Anonymous More than 1 year ago
I have never submitted a review before until this book. Amazingly written. I couldn't put it down and did not want the story to end. Reese had this book as her book of the month. Thank you to her and this lovely author. Awaiting anxiously for another book. This book makes my top 5!
Anonymous More than 1 year ago
My heart cried for Kya throughout this story. Satisfying ending.
Anonymous More than 1 year ago
I am having major book hangover - I have no doubt this masterpiece of words will remain with me for a very long time.
Anonymous More than 1 year ago
Exceptionally well-written. The prose is poetic, the emotions genuine, the story-telling is tight.
Anonymous More than 1 year ago
I like the interwoven stories within the main plot.
Anonymous More than 1 year ago
Interesting but sad, couldn’t put it down. You should read it!
Anonymous More than 1 year ago
A novel that pulls one in with anticipation for what happens next. Abandonment and trust issues squarely dealt with. Not totally believable on some levels, but a really good and totally different suspense novel.
Anonymous More than 1 year ago
Wow! I just finished reading Where the Crawdads Sing. And I will say it again, Wow! This books is so filled with emotion. Kya, the main character, is trying to survive by herself from a young age. She has been abandoned by those who should teach her, guide her, protect her. She has to fend for herself. Two men come into her life and teach her about the good and bad in life. Take 20% off coupons from 100promo.com
Anonymous More than 1 year ago
Truly outstanding
Anonymous More than 1 year ago
Just read
Anonymous More than 1 year ago
This is my first review of any book I have read, even though I read every day anything i get my hands on. This book was beautifully written. Captivating from begining to end. I did not want to put it down. A moving story of a life full of love, loss and dissappointment and still finding strength to go on and overcome.
Anonymous More than 1 year ago
This novel transported me to a different place and a different time and has transformed me into a different person. This is a must read!